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There was a Star Wars game that could be mistaken for a Tomb Raider game.
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Outer Wilds mixes the expected influence of the past few years into something completely new, while The Outer Worlds brought familiar design into a brand-new galaxy that served as a pointed critique of capitalism. While next year will have new consoles and likely many new entries in huge, tentpole franchises, this was a year with many experiments and unexpected surprises. Check out last year’s list here.2019 was a very strange year for games, and that sense of adventure is clear in our list of the top 50 games of the past 12 months. Let us know what you think in the comments (as if we have to ask). STEREOGUM’S TOP 50 ALBUMS OF 2012 50 Flying Lotus – Until The Quiet Comes (Warp)Ĭoming up with the Stereogum list meant leaving out some personal favorites of our staff members:Ġ2 James Blackshaw – Love Is The Plan, The Plan Is DeathĠ5 Lotus Plaza – Spooky Action At A DistanceĠ4 Santigold – Master Of My Own Make-BelieveĠ3 …And You Will Know Us By The Trail Of Dead – Lost SongsĠ3 Nicki Minaj – Pink Friday: Roman Reloaded Check out Stereogum’s editorial staff’s list of 2012’s 50 best albums below… The Walkmen and Chromatics and Taylor Swift and Nude Beach only have one thing in common: They all made great records this year.
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Rap got a series of shots in the arm from outsize characters like resurgent El-P, tracksuit firebrand, Killer Mike, sad-robot fantasist Future, kid out of time Joey Bada$$, snarling head-tripper ScHoolboy Q, and comic-book food-fetishist Action Bronson.Īnd then there’s a ton of stuff that’s just on here because it’s great. Intricate and sophisticated indie-pop orchestrations endure in the recent records from Chairlift, Dirty Projectors, Tame Impala, and Grizzly Bear.
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Ocean personified a gentle and genteel soul-music sophistication that also showed up in the forms of Jessie Ware, Miguel, and How To Dress Well.
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Old gods like Swans, Godspeed You! Black Emperor, and Converge brought monolithic dread in wildly different ways, while younger guns like Japandroids, Cloud Nothings, the Men, Baroness, and Screaming Females showed that pummeling fuzz-pound is once again, thankfully, on the upswing in the underground. Looking deeper at our picks for the year’s best albums, we see no grand narrative, just fascinating strands splayed out in different directions. And in an extended music-business apocalypse, all three albums came out on major labels and sold in the six figures in their first weeks.
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On her fourth album, Apple dug deep into her own braaa-ee-aa-ih!-aaain and found a musical vocabulary that mirrored her berserk lyrical synapse-firing.
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And for Fiona Apple, the woman on top of this list, the context is in the years of bungalow semi-seclusion, of past famous and maybe-genius boyfriends, of a skin so publicly thin that her every onstage hand-flutter looks like an act of courage. For Frank Ocean, there’s almost too much context (major-label shelvings and Odd Future co-signs and litigious former Eagles and, more than anything, a heartening and brave Tumblr missive about his own same-sex love story), but all those disparate strands of thought somehow melted together into a soul odyssey of frightening depth and empathy. City is endless potential made good - a guy from the rising Black Hippy crew and from the endlessly-spinning internet-rap universe seizing on the idea of being a lost kid in a hostile world, looking for depth wherever he could find it and then interrogating the moments of transcendence he does find. But all three, coming from musical virtuosos with richly observant eyes and powerful emotional vocabularies, exist in that uneasy mental place where an endless string of 73-degree days can’t make up for the tense and roiling things happening deep inside your soul.Īll three brought their own contexts. Admittedly, the makers of two of the three aren’t originally from California (they’re from New York and New Orleans) and even though the maker of the other one doesn’t really ever sing. This year, the three albums at the top of Stereogum’s 50 favorite albums of the year are all, in one way or another, Californian studio-pop singer-songwriter opuses.